I was recently introduced to a moving virtual reality film titled “Clouds Over Sidra” by Chris Milk. This film lets us walk in the virtual shoes of 12 year old Sidra, a Syrian refugee girl living for the past 18 months in the Za’atari refugee camp in Jordan.
To put it simply, the technology used to create such a realistic experience was awe-inspiring. To become totally immersed in this space through sight and sound was somewhat daunting as the enormous scale of the challenges facing our global society suddenly became very real. I would encourage you to view it using the virtual reality platform, even if you don’t have the Google Cardboard accessory.
(Click here for more information about this virtual reality technology)
As far as the eye can see are rows upon rows of caravans, or makeshift “homes” for the 84,000 refugees who lived there when this was filmed. The nothingness of the space was overwhelming – both the natural and the manmade landscapes are almost entirely devoid of colour and “life”. We get to experience Sidra attending school, something she and her circle of friends are extremely proud of. Yet, they walk hand-in-hand along chainlink fences topped with razor wire to get to class. We also learn of the children who don’t want to go to school because they are waiting to go home to Syria.
We see “boys being boys”, still keen to wrestle and fight even after all that they may have personally witnessed. We also see boys having access to computers to play games, most of them combat ones, which must strike a chord very close to their own realities. Yet, we see the limitations placed on the girls who are not allowed to use the computers, but are eager to. However, girls are allowed to play soccer even though they cannot play it back in Syria. But, playtime comes at a cost, as does so much else in Za’atari, as they have to “play quickly” because so many other children are waiting for a turn.
Although there is safety from the war in Syria whilst in Za’atari, this temporary space has become a somewhat permanent home for thousands upon thousands of children and their families. In fact, the children outnumber the adults. For the children in Za’atari, the days, months and years spent here will be part of their childhood. No one is quite sure just how much of their childhood will be spent here. All anyone can agree upon is that it would seem that it will not be safe to return to Syria any time soon.
The Za’atari population try to survive in this ambiguous space where they don’t have a home to move on to nor one to return to. Yet, many keep hope alive by waiting for the day when they can leave. It would appear that a goal as global citizens would be to ensure that the refugees can still fulfil a basic human desire of being allowed to dream and learn and grow whilst trapped in this space.
A point in time will come when people can safely return to Syria. And it is evident by the amount of destruction there today that it is going to require the skilled assistance of educated and experienced people to rebuild communities and lives. So, what is being done to ensure this happens? With so few children regularly attending school whilst affected by the war, both within refugee camps such as Za’atari and elsewhere, we are not providing adequate education for them now or for their futures.
Watching “Clouds Over Sidra” gave me a new appreciation of the refugee situation in Za’atari and of that affecting Syria, Europe and the rest of the world. And it is prompting me to think of what can be done by the likes of you and I – the bystanders who are physically so far removed from these circumstances that we find it hard to truly comprehend that these situations are in fact people’s lives, day after day after day.
I would encourage all educators to view “Clouds Over Sidra” and to consider allowing your students to do the same. It is an experience not to be forgotten, and hopefully one that will spark conversation about this topic that will perhaps lead to positive changes for our global society.